Before the pandemic closed the Hudson Library & Historical Society this March, the teen room was popular with the junior high crowd. After school and on weekends, students flocked to the space to browse the stacks, take part in Dungeons and Dragons campaigns and play computer games with friends.
If any of them realized the youth services librarian at the desk 10 feet awayâwearing exaggerated black glasses, dark lipstick and a nose ringâwas the author of a best-selling young adult novel, they seldom let on.
In April 2019, librarian Emily A. Duncan, MLIS â16, released Wicked Saints, her first young adult fantasy novel, to favorable buzz from reviewers and young readers eager for a story about dark magic, wartime, monsters and a girl (not unlike Joan of Arc) who talks directly to the gods.
The book, the first in a proposed three-book series, was a success by all standard metricsâDuncan sold the trilogy to her publisher for six figures, Wicked Saints debuted at #4 on the New York Times Best Seller list and a devoted community of fans sprang up on social media. But it takes more to impress some teens at her library.
âSome of them do not care at all. âYou have a book? Cool. I donât know how to read,ââ Duncan says, laughing. âBut then I had a teen come up to me and say, âI read your book. Itâs very good. You should write another one.â And I was like, âOh, did you think I ended there? Donât worry!ââ
The second book in Duncanâs Something Dark and Holy trilogy, Ruthless Gods, released in April 2020. Although it didnât hit the NYT Best Seller listâYoung Adult (YA) publishers promote debut novels more heavily than other books in a seriesâit topped the childrenâs series list of the Great Lakes Independent Booksellers Association the week it came out.
Many of the initial responses to Ruthless Gods were positive, unlike the polarized reactions she received to the first book. Because Wicked Saints had been marketed as a dark fantasy, readers werenât expecting its horror elements, she says. âBut if you made it through Wicked Saints, you know itâs only going to get more horrific.â
, says the evocative imagery in Duncanâs books energizes and inspires her to make art. âEmily walks that line between giving a little [description] to visually entice, while also leaving room for artists to play.â
The idea for the first book came in 2013, when Duncan was a junior English major at Malone University. She had been playing the video game Skyrim and was struck by the gameâs sprawling forests, ramshackle villages and menacing, walled cities. I could set a book in a place like this, she thought.
She attempted to write the book twice during her undergraduate studies, but after getting stuck in the same spot both times, she put the manuscript away.
Then, in 2015, Duncan enrolled in 911łÔčÏâs Master of Library and Information Science program and began working in the Kent Campus library at the reference desk. Between serving students and professors, she perused the OhioLINK and SearchOhio catalogs, ordering obscure books about Slavic folklore she thought might inspire her to solve the problem she was having with her book.
The research did the trick, helping her transform a setting that had been âamorphous and fluidâ in her mind into a concrete place. Once the setting clicked, the characters followed. She wrote the book in 2015, graduated in 2016 and secured her agent and book deal in 2017.
No one could have predicted Wicked Saints would become a best seller, Duncan says. She attributes the bookâs success to her publisher, Wednesday Books, an imprint of Macmillan that focuses on YA and adult coming-of-age titles. The staff championed the book, designing and distributing bound manuscripts a year in advance in order to build natural buzz.
âI love art that builds off of other art. I love the collaborative aspect of it.â
For Duncanâwho minored in illustration and mixed media art as an undergradâone of the most exciting parts of being an author is seeing the hundreds of pieces of fan art created in homage to her characters, which she features on her website. âI love art that builds off of other art. I love the collaborative aspect of it.â
The library reopened its doors in late June, but Duncan has seen few teens since then, which she says is an âextremely weirdâ departure from what her job looked like at the beginning of the year.
Sheâs currently doing one last read-through of the final book in the trilogy, Blessed Monsters, which is scheduled for release April 6, 2021.
Duncan, who has begun work on a new project, says she hopes she was able to end the trilogy in a way that satisfies each of the charactersâ arcs but leaves them open enough that if she has the opportunity to write another book in the series, she can.
She wonât know for sure if sheâs succeeded until she hears from readers next April.
Advice for New Writers
Remember that publishing is about money: âThereâs a danger of romanticizing writing. I tell young writers, âYou have to be pragmatic. Donât get too emotionally invested in the business side of things or itâs going to chew you up. If publishers pay attention to another author instead of you, itâs because they think they can make more money with that book. Thatâs just how it is.ââ
Remember why you write: âTry to write for reasons outside of having your book in a bookstore. Keep the spirit of why youâre writing, without getting bogged down in the âbeing publishedâ aspect of it, because otherwise itâs easy to get demoralized and give up. Before Wicked Saints, Iâd worked on a book for 11 years, and when I queried it, I only received form rejections.â
Remember to have fun: âWhen I started writing Wicked Saints, I didnât think I was ever going to get it published. I just wanted to write something fun, play with a lot of the tropes that were happening in YA books and do them differently. I think thatâs part of why it worked so wellâbecause I wasnât worrying, âIs this going to be something that a gatekeeper will like?â I thought, I donât care. I want to have fun with it. At the end of the day, you have to have fun.â
See more about Emily Duncan on her , ,
An artist from Denmark who uses the Instagram handle says she naturally gravitates toward Duncanâs characters because they fit the aesthetic of what she enjoys drawing. âThereâs something about the delightful mix of dark fantasy elements and religious imagery in these books that I very much enjoy.â